Conversations of preachers of official religions acting on official duty are privileged conversations, meaning they can’t be eavesdropped on or forced as evidence; a priest can even go to jail for inadvertently disclosing something that was said under the privileged conversation of confession. In this case of this religion, the preachers are defined as the ones facilitating holy copying (and remixing). Translated to nerdspeak, that means the communications between operators of trackers/hubs and the people who partake in the sacrament of copying now carries confessional status, by and large making it illegal and impossible to collect as evidence in a trial.

The movie industry claims that piracy is costing them billions of dollars a year.

Luckily for Hollywood, many Americans choose to consume their online media through legal services such as Netflix. In fact, there are now so many that the total Internet traffic generated by Netflix has outgrown that of BitTorrent.

This made us wonder – what would happen if all movie-downloading BitTorrent users made the switch to Netflix? What if movie piracy via BitTorrent disappeared?

2011 råder det inga tvivel om hur de friserade sanningarna staplades på rad för att driva igenom kriget mot terrorismen och invasionen av Irak. Men där vi åtminstone i Sverige har haft lätt att fälla kritiska omdömen om de ansvariga politikerna för deras agerande, har vi haft så mycket svårare att betrakta nöjesindustrins aktörer som medansvariga för det samhälle som vi nu håller på att skapa. Där vi gång på gång väljer slutenhet i stället för öppenhet och kontroll i stället för frihet.

GfK Group is one of the largest market research companies in the world and is often used by the movie industry to carry out research and studies into piracy. Talking to a source within GfK who wished to remain anonymous, Telepolis found that a recent study looking at pirates and their purchasing activities found them to be almost the complete opposite of the criminal parasites the entertainment industry want them to be.

The study states that it is much more typical for a pirate to download an illegal copy of a movie to try it before purchasing. They are also found to purchase more DVDs than the average consumer, and they visit the movie theater more, especially for opening weekend releases which typically cost more to attend.

According to an article in the Guardian:

Illegal downloading of music cost the UK industry nearly £1bn this year, the BPI claimed today, as it produced research showing online piracy is still growing.

It based that calculation on an assumption that every track would have sold for 82p, the average price of a digital single, although it conceded not everyone who downloaded tracks illegally would have paid for them if they had been unable to obtain them illegitimately.

Also, last year thousands of people rode on the same bus as me. This cost me thousands of euros. I base that calculation on an assumption that they would each have paid me €1 to keep them company, though I concede that maybe not all of them would have paid if they could just have gone along anyway. As indeed they did.

The latest version of the Tribler BitTorrent client (Win, Mac and Linux), released only a few minutes ago, is capable of all the above and many more things that could be described as quite revolutionary. The client combines a ‘zero-server’ approach with features such as instant video streaming, advanced spam control and personalized content channels, all bundled into a single application.


Despite the fact that only a few thousand people are using Tribler on a monthly basis, in technological terms it is one of the most advanced clients. People who install the client will notice that there’s a search box at the top of the application, similar to that offered by other clients. However, when one does a search the results don’t come from a central index. Instead, they come from other peers.

Samtidigt tas reklam- och prenumerationsfinansierade tjänster som Spotify emot varmt i den massmediala debatten, då de dels avspeglar en svensk nationell stolthet som industrination, dels målas upp som en sorts universsallösning på "fildelningseländet". Men man bör minnas att Spotify har ett relativt begränsat utbud, som knappast kan sägas gynna mer perifera, okända artister, samt att tjänsten ger väldigt blygsamma inkomster för de medverkande upphovsmännen.


Vad medielandskapet behöver är tjänster som bättre syftar till att lyfta fram det mindre kända. Sverige behöver en tydligare formulerad kulturpolitik som tar dessa nya förutsättningar i beaktande, och inriktar stödet mot att lyfta fram det som skapas i periferin, snarare än att gynna existerande oligopolliknande formationer såsom Bonniersfären, SF och Spotify.

Furthermore, it quickly became apparent that [IFPI lawyer Magnus Mårtensson's] evidence consisted only of screenshots. When asked if he had any network equipment logging exactly what was going on ‘behind the scenes’ of any of his sample downloads, he replied that he didn’t.

When asked if he verified in any way during the download process that he had any contact with The Pirate Bay’s tracker, again the answer was negative.

Defendant Gottfrid Svartholm questioned Mårtensson on his evidence gathering techniques. The following questions are particularly interesting as they show that the prosecution has no evidence that the Pirate Bay trackers were actually used.

A leading music industry figure has labelled attempts to thwart internet file-sharing as a "waste of time".

Peter Jenner, the former manager of Pink Floyd and now emeritus president of the International Music Managers' Forum (IMMF), launched a scathing attack on the music industry's tactics at a Westminster e-Forum.

In a paper presented earlier this week at the Usenix Workshop on Large-Scale Exploits and Emergent Threats, the researchers demonstrated how they used the technique to continuously spy on BitTorrent users for 103 days. They collected 148 million IP addresses and identified 2 billion copies of downloads, many of them copyrighted.

The researchers, from the French National Institute for Research in Computer Science and Control, also identified the IP addresses where much of the content originated. They discovered the the vast majority of the material on BitTorrent started with a relatively small number of individuals.

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