To hear the recording industry tell the story, copyright is the only thing protecting musicians from poverty and despair. Of course, that’s always been a myth. Copyright was designed to benefit the middlemen and gatekeepers, such as the record labels, over the artists themselves. That’s why the labels have a long history of never paying artists.

The digital media industry wants to eat its cake and have it, too. Even as they tell you that you've just bought a "license" and therefore have no rights under copyright, they tell their workforce – the creative laborers who composed, arranged and performed the music – that you're buying your music, not licensing it.

That's because all the record deals from the prehistory of digital music have two different royalty rates: when a musician's work is sold, they get a low royalty rate (12%-22%). When that same work is licensed, they get a 50% royalty.

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Now, a musician has managed to drag digital music into the realm of classical physics, ending its quantum indeterminacy. Electronica pioneer Four Tet has successfully wrung a settlement out of his label, Domino, who will now be forced to treat his digital recordings as licenses and pay a 50% royalty, rather than the 13.5% they'd insisted on.

eBooks from Amazon are locked down and distributed in a way that is hostile to both authors and readers. You don't own the book. You cannot lend the book. Renting Kindle-compatible eBooks from the library is arduous and limited by artificial constraints; you literally need to return a book before another person can rent it.

When I want to search an Amazon eBook that I "own", I have to log onto Amazon's cloud computer. Further, the open .epub eBook format is not compatible with the Kindle; readers must use Amazon's .mobi file format. Some .mobi files are incompatible with my device, but I have only discovered which ones after I purchase. I cannot even highlight my purchased Amazon eBooks without running into usage violations. Highlight lengths have arbitrary limitations.

• Legally release your version of any song in 1--2 business days.
• You can talk to a real person who will handle everything for you.
• We clear 100% of the rights you need, guaranteed.
• You get proof of licensing in your email (PDF document).
• Each request is securely saved online in your account

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• $13.59 per song plus royalties.

What ARE all these letters? Even music veterans are sometimes confused. But it's important to understand the difference between your ASCAP and your UPC, because they all play an essential role in earning revenue from your music copyrights.

Prior to 2017, all W3C standards were free for anyone to implement, allowing free/open browser developers to create their own rivals to the big companies' offerings. But now, a key W3C standard requires a proprietary component to be functional, and that component is under Google's control, and the company will not authorize free/open source developers to use that component.

On the topic of copyright, you NOW have the chance to have an influence – a chance that will be long lost in two years, when we’ll all be “suddenly” faced with the challenge of having to implement upload filters and the “link tax” – or running into new limits on what we can do using the web services we rely on.

In stark contrast to the GDPR, experts near-unanimously agree that the copyright reform law, as it stands now, is really bad. Where in the case of the GDPR the EU institutions pushed through many changes against the concerted lobbying efforts of big business interests, in the copyright reform they are about to give them exactly what they want.

Thanks to the “smart” revolution, our appliances, watches, fridges, and televisions have gotten a computer-aided intelligence boost. But where there are computers, there is also copyrighted software, and where there is copyrighted software, there are often software locks. Under Section 1201 of the DMCA, you can’t pick that lock without permission. Even if you have no intention of pirating the software. Even if you just want to modify the programming or repair something you own.

Malware means software designed to function in ways that mistreat or harm the user. (This does not include accidental errors.) This page explains how Microsoft software is malware.

After years of warning that the secretive Trans-Pacific Partnership would be devastating for Internet freedom, intellectual property experts have finally gotten to look at the final draft of the proposed treaty.

And they say it’s as bad as they feared.