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Gradient Magic - Fantastic and Unique CSS Gradients
https://www.gradientmagic.com/, posted 2020 by peter in css design graphics html webdesign
Gradient Magic is the largest gallery of CSS Gradients on the web, with new and exciting gradients added every day.
CSS Gradients are fancy patterns created via CSS, primarily used to add color or patterns to a website. They have many benefits over images, including being easier to work with and much smaller in size.
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Louis Vuitton présente deux sacs à main équipés d'écrans flexibles - L'Express L'Expansion
https://lexpansion.lexpress.fr/high-tech/louis-vuitton-presente-deux-sacs-a-main-equipes-d-ecrans-flexibles_2078755.html, posted 2019 by peter in design infrench
Les écrans flexibles ne sont plus l'apanage des smartphones dernier cri. Louis Vuitton a présenté ce vendredi deux prototypes de sacs à main connectés. Le premier modèle offre deux écrans légèrement incurvés pour épouser la forme ronde du sac, tandis que le deuxième présente un total de quatre écrans apposés sur la célèbre toile monogramme de la griffe.
La technologie utilisée par Louis Vuitton, présentée au salon Vivatech, a été développée par Royole - une start-up chinoise dont le siège social est en Californie - pionnière avec une poignée d'autres fabricants (notamment Samsung et Huawei) sur le marché des smartphones avec écran pliable ou flexible.
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"Pagination 101" by Faruk AteÅŸ
https://gist.github.com/mislav/622561, posted 2016 by peter in design opinion toread webdesign
Making good pagination is not a difficult thing. Really, you just want to remember the following basic guidelines, and you should be fine. We'll look at a large range of examples after that, to see what we can learn from existing pagination designs found on popular websites today.
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Microservices - Not a free lunch! - High Scalability -
highscalability.com/blog/2014/4/8/microservices-not-a-free-lunch.html, posted 2014 by peter in design development scalability toread
Microservices one of these ideas that are nice in practice, but all manner of complexity comes out when it meets reality. For this reason, I wanted to write this article to capture some of these and redress the balance.
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Why Japan is Crazy About Housing | ArchDaily
www.archdaily.com/450212/why-japan-is-crazy-about-housing/, posted 2014 by peter in design japan
An unconventional home requires an unconventional client, one who’s willing to take-on, or can afford to ignore, one or more types of risk: privacy, comfort, efficiency, aesthetics, etc. But Japan’s experimental commissions aren’t necessarily luxury villas for a wealthy cultural elite. Many are small middle-class homes, not a typology where we expect to find bold avant garde design. So, what is it about Japan that encourages such everyday risk taking?
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Free vectors icons for download and Icon font | Flaticon
www.flaticon.com/, posted 2014 by peter in design download free graphics typography webdesign
Welcome to FlatIcon: the Fastest Tool that Converts Fabulous Icons into Web Fonts.
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The Cicada Principle and Why It Matters to Web Designers - SitePoint
www.sitepoint.com/the-cicada-principle-and-why-it-matters-to-web-designers/, posted 2013 by peter in css design graphics howto math webdesign
As you can see, the tiles overlap and interact to generate new patterns and colors. And as we’re using magical prime numbers, this pattern will not repeat for a long, long time. § Exactly how long? 29px × 37px × 53px… or 56,869px! § Now this was something of a revelation to me. I actually had to triple-check my calculations, but the math is rock solid. Remember these are tiny graphics — less than 7kb in total — yet they are generating an area of original texture of almost 57,000 pixels wide.
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50 Totally Free Lessons in Graphic Design Theory | Psdtuts+
psd.tutsplus.com/articles/web/50-totally-free-lessons-in-graphic-design-theory/, posted 2013 by peter in design free howto list reference typography webdesign
While many of us can create something that looks good in Photoshop or attractive when spliced into CSS, but do we actually understand the design theory behind what we create? Theory is the missing link for many un-trained but otherwise talented designers. Here are 50 excellent graphic design theory lessons to help you understand the ‘Whys’, not just the ‘Hows’.
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AT&T; Archives : BLIT
techchannel.att.com/play-video.cfm/2012/8/27/AT&T-Archives-BLIT-UNIX-GUI, posted 2012 by peter in design development history toread video
The Blit (originally named the Jerq!) was an early graphical user interface, connected to a UNIX computer. Inspired by the Xerox Alto from the early 1970s, creators Rob Pike and Bart Locanthi wanted to make a graphics machine for use at Bell Labs that would have the usability of the Xerox, but with the processing power of a 1981 computer. Created using a Motorola microprocessor instead of a Bell one, the machine would be retooled for the commercial market (business market, because it was still expensive) as the AT&T; 5620, which came out in 1984 — using a Western Electric WE32000 microprocessor. The Blit had a vertically-oriented display and an early mouse peripheral; this video explains how it worked.
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New High-Quality Free Fonts | Smashing Magazine
www.smashingmagazine.com/2012/07/20/free-font-round-up/, posted 2012 by peter in design font free list typography
In this selection, we’re pleased to present Signika, Plastic Type, Bariol, Alegreya, Metropolis, Typometry and other quality fonts. Please note that while most fonts are available for commercial projects, some are for personal use only and are clearly marked as such. Also, please read the licensing agreements carefully before using the fonts; they may change from time to time. Make sure to check the free quality fonts round-up from January 2011, too.